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This week, we continue with our Coen Brothers kick. Their second film moves from the dark noir of Blood Simple to a Looney Tunes style live-action comedy. Some critics originally criticized this films over-the-top nature, but if you can get past the non-realism and complete genre change from the brothers, this is one hilarious ride. Also one of Nic Cages best, most reined in performance. Raising Arizona (1987), directed by the Coen Brothers.
This week, we’re back in the theaters to see what is currently on track to be one of the biggest movies ever made. Breaking the previous opening weekend record, the 4th Tom Holland Spiderman (and 38th MCU film) spends time on practical effects and characters people have grown to love. Spider-Man: Brand New Day (2026), directed by the Destin Daniel Cretton.
This week, we are doing the Coen Brothers! We are starting at the very beginning and going through their filmography until we hit the films we’ve seen. We start with their debut film, which has actor Francis McDormand’s first role, as well as Barry Sonnenfeld’s first time behind the camera. Blood SImple (1984), directed by the Coen Brothers.
This week, we keep the Odyssey kick going with a more loose adaptation (if you can even call that). This film holds up, carried by beautiful cinematography, hilarious characters, and of course the sound track. O Brother, Where Art Thou? (2000), directed by the Coen Brothers.
This week, we watch what is certain to be the movie of the year, already on its way to a billion dollars at the box office only after a couple weeks. We would be surprised if this film didn’t run away with everything at the awards season as well. Go now to see it in the theaters, if you can find tickets. The Odyssey (2026), directed by Christopher Nolan.
This week, we wanted to take a break from all of the serious movies we’ve been watching recently, and looked to a tale of intelligent sheep. This could be classified as a kids movie, but it might also be for those looking for a light watch. The Sheep Detectives (2025), directed by Kyle Balda.
This week, we dip into our picks for which movies “should be in the Top 250” movies. This movie is non-stop action, and contains some of the most impressive fight choreography we’ve ever seen. The Raid: Redemption (2011), directed by Gareth Evens.
This week, we finish off Christopher Nolan's Batman trilogy. We found the plot and dialogue to be equally clunky and confusing but without any real standout performances or action sequences. Additionaly, this is some of the worst action editing we've seen. The Dark Knight Rises (2012).
This week, we head back to Gotham City to dissect Christopher Nolan's acclaimed superhero epic, The Dark Knight (2008). While we give massive props to Heath Ledger's legendary performance and the film's spectacular action set pieces, there's a lot to nitpick regarding its clunky dialogue and head-scratching plot logic.
This week, we head to the theater to check out the new movie by one of the greatest directors of all time, Spielberg. With all the hype surrounding the reviews on this one, we answer the question - does it come close to living up to the best in his filmography? No. No, it doesn’t. Disclosure Day (2026), directed by Steven Spielberg.
This week, we needed a break from all of the horror movies of recent weeks, and we’re going with comfort food ala John. This movie is a warm bowl of noodle soup, no special ingredients. Kung Fu Panda (2008), directed by John Stevenson & Mark Osborne.
This week, we’re back to the theater to see another horror sensation. This (again) small budget movie from a (again) youtube creator is breaking A24 records left and right. Certainly a different vibe than its partner in horror box-office success, this one is more of a Lynchian mood-piece that a straight up horror. Backrooms (2025), directed by Kane Parsons.
This week, we go to the theater to see somewhat of a sensation. This small budget movie from a youtube creator did the rate thing of making more money at the box office on the second weekend when compared to the opening weekend. Horror fans should run to the theaters to see it. Obsession (2025), directed by Curry Barker.
This week, we are finish watching the Best International Film nominees from this years Oscars. This film tells a story that everyone should hear, so despite some film-making shortcomings, we’d recommend everyone watch it. The Voice of Hind Rajab (2025), directed by Kaouther Ben Hania.
This week, we are continuing to watch the remaining Best International Film nominees from this years Oscars. This film was made illegally in Iran, and even with the extreme limitations that entails, this film manages a very tight thriller with well integrated political criticisms. It Was Just an Accident (2025), directed by Jafar Panahi.
This week, we start watching the remaining Best International Film nominees from this years Oscars. This first film is one where we will only say - see it if you are a fan of and / or tolerate every genre of movies. If you do, put it at the top of your queue. Sirat (2025), directed by Oliver Laxe.
This week, we go to the theaters! We ran into some audio issues this week, so apologies for the quality. Use it as a reference point for how typically amazing our podcast sounds (Thanks TC!). Oh yeah, this movie - see it in the theaters! Project Hail Mary (2026), directed by Phil Lord and Christopher Miller.
This week, we celebrate TC’s victory on this years Oscars competition with a pick direct from the man himself. This film received no Oscar nominations, but did rake in nearly $500 million dollars at the box office. And while John and Denny may have very much disliked it, at least TC did too. Godzilla Vs. Kong (2021), directed by Adam Wingard.
