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All in Classic
This week, we watch the classic Monty Python comedy that has been banned in multiple countries and denounced by religious groups all over the world. The film itself doesn't do very much to insult religion, but it does a lot to get you rolling on the floor, as the comedy group showcases their trademark silliness in some of the funniest scenes ever put to film. Life of Brian (1979), directed by Terry Jones.
This week, we watch the American epic about Daniel Plainview, an oil man who wants no one else to succeed. We believe this masterpiece will be watched for decades, and we dive deep, making this the longest episode yet. Guest hosted by Matt Hathaway. There Will Be Blood (2007), directed by Paul Thomas Anderson.
This week, we watch a series of vignettes about a prostitute Rome-ing the streets. Considered by some to be Fellini's masterpiece, this film follows Cabiria's trials as she gets shoved into a river, shoved into a bathroom, and nearly shoved off a cliff. Nights of Cabiria (1957), directed by Federico Fellini.
Written and directed by a Vietnam veteran, this film chronicles the horrifying violence Oliver Stone witnessed during his time in the jungle. A script so anti-war, Hollywood refused to make it, and then awarded it with an Oscar for Best Picture (among others). Makes sense. Platoon (1986), directed by Oliver Stone.
This week, we watch the classic Noir that made Humphrey Bogart a star, as well as lay the groundwork for what Crime Drama would be for decades afterwards. Fast talking, cigarette smoking, guns, lies, cheating, murder - all for the rarest of statues. And Bogart gets punched in the neck. The Maltese Falcon (1941), directed by John Huston.
This week, we watch the classic action/thriller that inspired Road Warrior, Duel, Speed, and numerous other vehicle based action films. Four men, in desperate need of money, take on the life-threatening task of driving two trucks full of nitroglycerin across a dangerous mountain pass. The Wages of Fear (1953), directed by Henri-Georges Clouzot.
This week, we watch the amazingly prophetic film that, while being created over 40 years ago, depicts the current day network news situation almost exactly. This movie predicted reality television shows over a decade before they aired, and also satirized news stations selling credibility for ratings before that reality has come to pass. Network, directed by Sidney Lumet.
This week, we watch the block-busting film that paved the way for all buddy movies that came after it. Paul Newman and Robert Redford are a perfect team, as they rob and steal their way across the mid-west. Once a super-posse is assembled to take them down, they attempt an escape to South America. Comedy ensues. Butch Cassidy and the Sundance Kid (1969), directed by George Roy Hill.
This week, we watch the wonderful story of a young French boy and his downward spiral. This timeless and magical film was one of the first of the French New Wave, and the one that brought international attention to the movement. This film hasn't aged a day. The relatable story is as relevant as ever, the acting from a cast of mostly children is incredible, and it looks and sounds amazing. The historical importance of this film can not be overstated. The 400 Blows (1959), directed by Francois Truffaut.
This week, we watch the rare Stephen King adaptation that omits anything supernatural and simply focuses on the characters. Rare also in that it's a film adaptation of one of his books and it isn't terrible. Four kids take a two day trip down the railroad track in search of the body of a dead classmate, and stellar child acting ensues.Stand By Me (1986), directed by Rob Reiner.
This week, we watch the classic fairy tale where Wesley and Buttercup set out on adventure against two warring kingdoms for true love. Pirates, death machines, murder, revenge, monsters...all in a light hearted tone, and surrounded with universal comedy. The Princess Bride (1987), directed by Rob Reiner.
This week, we watch the epic tale of Judah Ben-Hur, a man who lived at the time of Jesus. Based on the outstandingly popular novel from 1880, and a remake of the 1925 film, this iteration of the tale is distinguished by winning the most Academy Awards in history, and has a number of other records held as well (largest set ever built, etc). Come for the chariot race, and stay for the mind blowing scale. Ben-Hur (1959), directed by William Wyler.
This week, we watch the epic tale of Judah Ben-Hur, a man who lived at the time of Jesus. Based on the outstandingly popular novel from 1880, and a remake of the 1925 film, this iteration of the tale is distinguished by winning the most Academy Awards in history, and has a number of other records held as well (largest set ever built, etc). Come for the chariot race, and stay for the mind blowing scale. Ben-Hur (1959), directed by William Wyler.
This week, we watch the character study disguised as a crime thriller, where Orson Wells flexes his impressive acting chops in a movie he also writes and directs. Drugs, murder, sex, and lots of lying fill this classic noir film, which takes place in a Mexican boarder town, and has two police officers (Charlton Heston and Wells) clashing in an investigation. Touch of Evil (1958), Directed by Orson Wells.
This week, we watch the film that brings back dinosaurs in the groundbreaking blockbuster that combines horror, drama, comedy, action, adventure, sci-fi...really, this movie does it all. Now with four films in the franchise (Jurassic World is currently the 4th highest grossing movie of all time), the original still towers over the sequels, with special effects that somehow didn't age a day. Jurassic Park, directed by Steven Spielberg.
This week, we watch the animated classic who's popularity lead to the founding of Studio Ghibli, which went on to make additional milestones in animation like Spirited Away, Princess Mononoke, and My Neighbor Totoro. Nausicaa of the Valley of the Wind, directed by Hayao Miyazaki.
This week, we watch the landmark picture that depicts the hardships of the dust bowl survivors that journey to California to find a new life. Adapted from the pages of John Steinbeck's classic novel that was released only a year earlier, these two pieces of art were among the most controversial of the time. The Grapes of Wrath (1940), directed by John Ford.
