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All in Thriller
This week, we kick off the halloween season by watching the cult classic that nearly got buried during its initial release. Midsommar takes obvious influences from this movie, which plays more like a mystery / detective drama, although there is at least one moment that will make your stomach drop. The Wicker Man (1973), directed by Robin Hardy.
This week, we watch a huge cast of A-listers dive into peoples dreams. For business purposes. And you can jump between peoples minds. But limbo is always in Leo’s head. Don’t ask questions, just watch the cool action. Inception (2010), directed by Christopher Nolan.
This week, we experience the most intense ride of the year. Nothing will prepare you for what this movie shoves in your face. Demi Moore, Margaret Qualley and Dennis Quaid all deserve award season consideration for their insane and brilliant performances. The Substance (2024), directed by Coralie Fargeat.
This week, we watch a masterpiece of style. This slow-burn thriller bleeds cool from all sides, as each actor delivers a perfect performance and the soundtrack blares synths over LA at night. Drive (2011), directed by Nicholas Winding Refn.
This week, we watch the highest rated horror movie on the IMDB top 250. Hannibal Lecter and Buffalo Bill share the screen as two of the best villains in movie history, while Jodie Foster as Clarice Starling plays the role of a lifetime as a determined FBI agent with a storied past. The Silence of the Lambs (1991), directed by Jonathan Demme.
This week, we’re diving into a series of bonus episodes, where we go through movies that Denny, John and TC think deserve to be on the top 250. We kick it off with a thiller / character study that possibly contains Jake Gyllenhaal’s best work. Add in commentary about the media industry, sociopathy, race, the police, capitalism, LA nightlight, etc., and you’ve got something that could be considered a niche masterpiece. Nightcrawler (2014), directed by Dan Gilroy.
Part 2.
This week, we watch the highest rated Hitchcock film, and what is considered widely to be the film that modernized horror. Come for the shower stabbing, stay for the controversial use of a toilet, a woman in a bra, and the utterance of the word “transvestite”. Psycho (1960), directed by Alfred Hitchcock.
This week, we watch the highest rated Hitchcock film, and what is considered widely to be the film that modernized horror. Come for the shower stabbing, stay for the controversial use of a toilet, a woman in a bra, and the utterance of the word “transvestite”. Psycho (1960), directed by Alfred Hitchcock.
This week, we watch Jimmy Stewart sit in a chair and stare out his back window. This film holds up as a tight thriller, which blends mystery with comedy in a fantastic way. It doesn't feel like a film that is nearly celebrating its 70th birthday. Rear Window (1954), directed by Alfred Hitchcock.
This week, we watch the sequel to the film that shot Ridley Scott into stardom. This film takes the horror and science fiction elements of the first movie and adds a James Cameron action element that somehow makes for an even more intense experience. Aliens (1986), directed by James Cameron.
This week, we watch the sequel to the film that shot Ridley Scott into stardom. This film takes the horror and science fiction elements of the first movie and adds a James Cameron action element that somehow makes for an even more intense experience. Aliens (1986), directed by James Cameron.
This week, we watch the movie Guillermo del Toro decided to make after his Best Picture win with The Shape of Water. Based on a 1946 Novel (and made into a movie in 1947), this film has incredible star power - but is that enough to make another classic? Nightmare Alley (2021), directed by Guillermo del Toro.
This week, we watch the Palme d’Or winner at this years Cannes Film Festival. Nothing we say in a write up will prepare you for what you will see/experience in this movie. If you aren’t totally adverse to gore or weirdness, do yourself a favorite and watch this film. Titane (2021), directed by Julia Ducournau.
EPISODE 250! This week, we continue watching what might be the greatest horror movie ever made. Stanley Kubrick butchers Stephen King's original novel into a film that confused some viewers at the time of its release, but now is considered by most to be a standalone masterpiece. The Shining (1980), directed by Stanley Kubrick.
This week, we watch the third and final film in the Three Flavors Cornetto trilogy. In yet another genre film/comedy mash-up, this entry is much darker than the previous two, with the unliked protagonist Gary King dragging his old friends to 12 bars, and any more plot description might be considered spoilers. The Worlds End (2013), directed by Edgar Wright.
This week, we watch a movie where a tooth getting removed by a hammer is not the most disturbing scene of the film. This film contains amazing acting and filmmaking, so it is highly recommended to those with a strong tolerance for disturbing images and ideas. Oldboy (2003), directed by Chan-wook Park.
