Episode 198 - Touch of Evil

This week, we watch the character study disguised as a crime thriller, where Orson Wells flexes his impressive acting chops in a movie he also writes and directs.  Drugs, murder, sex, and lots of lying fill this classic noir film, which takes place in a Mexican boarder town, and has two police officers (Charlton Heston and Wells) clashing in an investigation.  Touch of Evil (1958), Directed by Orson Wells.

Episode 200 - Jurassic Park

This week, we watch the film that brings back dinosaurs in the groundbreaking blockbuster that combines horror, drama, comedy, action, adventure, sci-fi...really, this movie does it all.  Now with four films in the franchise (Jurassic World is currently the 4th highest grossing movie of all time), the original still towers over the sequels, with special effects that somehow didn't age a day. Jurassic Park, directed by Steven Spielberg.

Episode 207 - Memories of Murder

This week, we watch the the movie that captured a slot in Quentin Tarantino's list of the 20 best films since 1992 - a murder mystery that combines horror and comedy in a way that that leaves you not only guessing at who the killer is, but what tone the movie will take with the next scene.  Also, the best jump-kicks in movie history. Memories of Murder (2003), directed by Bong Joon Ho.

Episode 210 - Deadpool

This week, we watch the comic book movie that blew up the box office.  The Hard-R, ultra-violent comedy was a passion project that almost didn't get made, which not only restarted Ryan Reynolds career, but also is bound to start an R-rated comic book movie surge. Deadpool (2016), directed by Tim Miller.

Episode 213 - Rocky

This week, we watch the Best Picture winning character drama - disguised as a sports movie - which not only brought writer/director/star Sylvester Stallone from being homeless and hungry to one of the biggest movie stars in the world to this day, but also invented the sports training montage. Is there a better motivational song than "Gonna Fly Now"? Rocky (1976), directed by John G. Avildsen.