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All in Podcast
This week, we’re finish up our Lanthimos kick with the film that brought the director to a wide audience. We are divided on this one again, but the visual style and humor are enough to get a recommendation from at least two of us. The Favourite (2018), directed by Yorgos Lanthimos.
This week, we’re continuing our Lanthimos kick with a film that is currently in theaters. We are a bit divided on how this one ended up, but we can say that if your a fan of the director, this one is worth seeing blind. Bugonia (2025), directed by Yorgos Lanthimos.
This week, we find ourselves in October (when we recorded). And you know what that means? Scary films! The final week brings us to the director who gave us Poor Things. We can’t in good conscience recommend watching this movie to any listeners, but if you want to be disturbed and witness some of the obvious filmmaking talent of early Yorgos, you may want to dare. Dogtooth (2009), directed by Yorgos Lanthimos.
This week, we find ourselves in October. And you know what that means? Scary films! Week three brings us back to the director who gave us Seven and Gone Girl (both on the top 250). More of a thriller/crime procedural, this film nonetheless has at least one of the scariest scenes ever put to film. Zodiac (2007), directed by David Fincher.
This week, we find ourselves in October. And you know what that means? Scary films! Week two brings us back to the director who gave us the old film newly on the top 250, Harakiri (1962). Lots of people consider this horror, but after a viewing, it seems more like a series of fantasy stories with ghosts. Kwaidan (1964), directed by Masaki Kobayashi.
This week, we find ourselves in October. And you know what that means? Scary films! We kick into it with the first film by the writer/director that brought us the excellent Weapons this year. Barbarian (2022), directed by Zach Cregger.
This week, we go to the theaters to see was will most certainly be a frontrunner for best picture of 2025. This film blends action, drama, political commentary, and, most importantly, humor into a unique yet accessible joyride. See this one in the theaters if you can. One Battle After Another (2025), directed by Paul Thomas Anderson.
It’s September, and to celebrate the fall season, we are doing a month of David Lynch movies. Lynch is criminally under represented in the Top 250, so we wanted to honor the legendary film maker with a run of some of his most acclaimed work. This week, we finish it off with his first film, Eraserhead (1977).
It’s September, and to celebrate the fall season, we are doing a month of David Lynch movies. Lynch is criminally under represented in the Top 250, so we wanted to honor the legendary film maker with a run of some of his most acclaimed work. This week, we watch Mulholland Drive (2001).
It’s September, and to celebrate the fall season, we are doing a month of David Lynch movies. Lynch is criminally under represented in the Top 250, so we wanted to honor the legendary film maker with a run of some of his most acclaimed work. This week, we watch Lost Highway (1997).
It’s September, and to celebrate the fall season, we are doing a month of David Lynch movies. Lynch is criminally under represented in the Top 250, so we wanted to honor the legendary film maker with a run of some of his most acclaimed work. This week, we dive right in with Blue Velvet (1986). Let’s go for a ride.
This week, we head to the theater to see the hugely successful horror film that makes the Naruto Run scary again. This film bounces between big scares and laughs like almost nothing else since Evil Dead 2. Don’t walk, run (with your arms stretched out behind you) to the theater to catch this one. Weapons (2025), directed by Zach Cregger.
For the fourth movie choice based on the theme of death, we travel to Hawaii to hang with Clooney. This film has some heavy drama, but with Alexander Payne sprinkling in his dry humor and the sights and sounds of Hawaii ever-present, the story keeps from sinking into too dark of a place. The Descendants (2011), directed by Alexander Payne.
For the third movie choice based on the theme of death, we repost an episode where we watch the tale of a man diagnosed with stomach cancer, which causes him to reflect on his seemingly wasted life. Taking its time to establish moods appropriate for the subject matter, this film makes you think about what it means to be alive, and how to get the most out of life with what short time we have. Ikiru (1952), directed by Akira Kurosawa.
This week, we continued with the themed movie selections, with the first series is based on the theme of Death. This second film takes place near our old stomping grounds of Boston, a features a story and performances where you might need to take a walk afterwords to digest and decompress. Manchester by the Sea (2016), directed by Kenneth Lonergan.
This week, we start a new diversion with themed movie selections. The next three weeks, your hosts will be selecting one movie each that fits within the current theme - Death. The first film is an underrated and under seen movie that won big at the Sundance film festival back when it first came out. Me and Earl and the Dying Girl (2015), directed by Alfonso Gomez-Rejon.
This week, we watch the third entry in the film franchise that is 23 years old and introduced fast zombies to the world. This film has been in development since shortly after the second entry in 2007, and it might be the first movie where the edit was influenced by choices made by the trailer team. 28 Years Later (2025), directed by Danny Boyle.
This week, we continue the newer segment where we go back through the IMDB top 250 list since we froze it in 2016 and see what has been added. This film is currently sitting at number 66 on the IMDB list. 12th Fail (2023), directed by Vindu Vinod Chopra.
