Or feel free to email us directly at mission250filmcast@gmail.com
All in Action
This week, we watch Natalie Portman’s first film, where she plays the daughter of a slaughtered family who is taken in by a professional hitman who lives next door. This film elevates its B-movie potential with iconic performances by all of the leads. Leon: The Professional (1994), directed by Luc Besson.
"Point Break" from 1991, directed by Kathryn Bigelow. Denny won the oscars contest, so Denny could pick any film he wanted for us to watch. He picked this one. There's some great action sequences here, and also some of the most laughably bad acting we've seen in the history of this podcast.
This week, we watch the film that has just released and is currently sitting at the #10 best movie of all time. See it on the biggest screen and loudest speakers you can find. Dune: Part 2 (2024), directed by Denis Villeneuve.
This week, we watch the newest Japanese Godzilla film that is breaking box office records on top of being nominated for an Oscar for Visual Effects.. See this film on the biggest screen and the loudest speaker system you can. Godzilla Minus One (2023), directed by Takashi Yamazaki.
This week, we watch Harrison Ford’s second outing as the rugged archeologist with the hat and the whip. This film was highest grossing movie of the year it came out, broke opening weekend records, and was the catalyst for the PG-13 rating (alongside Gremlins). We discuss how it compares to the other films in the franchise. Indiana Jones and the Temple of Doom (1984), directed by Steven Spielberg.
This week, we watch Harrison Ford put on a hat and whip some bad guys. The film that introduces the Indiana Jones character remains the series best, even as it is now 5 movies strong. The supporting cast (Karen Allen, John Rhys-Davies, Paul Freeman) all nearly match Ford’s iconic roll, and the practical action set-pieces remain some of the best the genre has ever seen. Raiders of the Lost Ark (1981), directed by Steven Spielberg.
This week, we watch Harrison Ford put on a hat and whip some bad guys. The film that introduces the Indiana Jones character remains the series best, even as it is now 5 movies strong. The supporting cast (Karen Allen, John Rhys-Davies, Paul Freeman) all nearly match Ford’s iconic roll, and the practical action set-pieces remain some of the best the genre has ever seen. Raiders of the Lost Ark (1981), directed by Steven Spielberg.
Bonus Episode! This week, we watch the highest rated move we’ve watched so far. Currently sitting at the #13th best movie of all time, Spider-Man: Across the Spider-Verse is a film that has already solidified itself into movie history as one of the most successful sequels of all time. Even more impressivly, it's the highest climbing film on the Top 250 since 2008’s The Dark Knight. Directed by Joaquim Dos Santos, Kemp Powers, and Justin K. Thompson, and produced by Lord and Miller.
Bonus Episode Time! To welcome the film onto Netflix and to attempt to give it all the praise it deserves, we watch Spiderman: Into the Spider-Verse. This movie blows away all recent animated and superhero films alike. It drips originality and brims with jokes, action, and lovable characters. The creators and animators swing for the fences and succeed throughout. Directed by Bob Persichetti, Peter Ramsey, and Rodney Rothman.
This week, we watch the sci-fi / horror / action masterpiece by the director that would go on to have three of the top five grossing movies of all time. The action in this movie remains top tier, the performances are stellar, and even the CG holds up pretty well. Terminator 2: Judgment Day (1991), directed by James Cameron.
This week, we watch the sci-fi / horror / action masterpiece by the director that would go on to have three of the top five grossing movies of all time. The action in this movie remains top tier, the performances are stellar, and even the CG holds up pretty well. Terminator 2: Judgment Day (1991), directed by James Cameron.
This week, we watch the highly enjoyable action packed film RRR. Loosely based on historical figures, this movie has some amazing action sequences and great characters. Not to mention some great music and a spectacular dance battle. RRR (2022). Directed by SS Rajamouli.
This week, we are continuing the “bonus episode” director deep dive. With the film The Banshees of Inisherin on the horizon, we’re going on a kick of the playwright turned director Martin McDonagh’s movies. The list may be small, but he is one of the best writer/directors working today. This week, we are doing his second feature length film, Seven Psychopaths (2012), as well as his very first film, the short Six Shooter (2004).
Its 2023! Theres nothing that says New Years Day like a film based on looking into the past. Currently, this movie has moved up to #30 on the IMDB top 250 since we froze it back in 2016, which speaks to how well this movie holds up over time. Back to the Future (1985), directed by Robert Zemeckis.
Week three of the October scary movie marathon! This week, we’re watching a film that bites heads and bleeds 80’s style. Equal parts comedy and horror, with some small town teen drama thrown in, this movie holds up great among other 80’s horror classics. The Lost Boys (1987), directed by Joel Schumacher.
This week, we watch the film that allowed Stanley Kubrick full creative control over all his subsequent projects. This film was out of his control, however, and he later tried to disassociate himself from it. Structured as one half war epic and the other half sappy romance, Kirk Douglases chin might not be enough to save this one. Spartacus (1960), directed by Stanley Kubrick.
This week, we watch Ridley Scott's film that nearly swept the 2001 Academy Awards. In addition to some great action sequences, Russel Crow was at the height of his powers, and Jaoquin Pheonix provided us with one of the greatest portrayals of a villain we've seen on the screen. Gladiator (2001), directed by Ridley Scott.
This week, we watch the ground breaking debut feature from Christopher Nolan, who would go on to become one of the biggest directors of a generation. Moving both forwards and backwards in time, this film plays as a noir with a heaping dose of storytelling through editing. Memento (2000), directed by Christopher Nolan.
