This week, we watch Mads Mikkelsen earn his Cannes film festival award for his portrayal of a school teacher who has to deal with false accusations made by a young student of his, and the fall out from the towns population who won’t listen to anything they don’t want to hear. Not to be viewed when you want to be in a good mood. The Hunt (2012), directed by Thomas Vinterberg.
27 years later and Pennywise is back. The second and final act of the It series, this film casts some legitimate movie stars as the older versions of the kids from Chapter 1, and is also tasked with bringing this epic tale to a close - An ending that the readers of the book (as well as characters in this movie) will tell you isn’t very good. The question people will be talking about for years to come is: does this movie close the It saga better than Stephen King’s own words did? It: Chapter 2 (2019), directed by Andy Muschietti.
Fall is here, the season for Halloween and all things horror! We are de-railing from the list once again to prepare for the upcoming It: Chapter 2. We watch the first film this week, which focuses on the younger character story, and brings to screen the same kind of childhood adventure that the film adaptation of Stand By Me captured decades ago, only this time with a murdering clown named Pennywise. It (2017), directed by Andy Muschietti.
This week, we watch the film that laid the ground work for the Clint Eastwood spaghetti Westerns, and all the following films that took influence from them. An out-of-work Samurai finds himself in the middle of a violent, two-sided town, where he starts pitting each side against each other for….fun? More of a popcorn film that Kurosawa’s other epic masterpieces, Yojimbo (1961) would be a great starting point for someone looking to get into The Master’s work.
This week, Christopher Nolan demonstrates that you can take a comic book character seriously: with some big Hollywood names, a big budget, and an emphasis on visual effects (as opposed to Computer Generated Imagery). Join us as we watch 2005’s Batman Begins: the movie that arguably paved the way for modern super hero movies.
This week, Humphrey Bogart plays the bad guy in an American classic. This is one of the first Hollywood films to be shot mostly on location, and the beautiful California and Mexican landscapes justify the record breaking budget. The Treasure of the Sierra Madre (1948), directed by John Huston.
Quentin Tarantino has a new movie out, so naturally we all ran to the theater to see it opening week. Brad Pitt and Leonardo DiCaprio are an on-screen duo for the ages, and are all but guaranteed to receive lots of love come awards season for their portrayals of a stuntman/actor buddy duo in 1969 Los Angeles. Once upon a Time in Hollywood (2019), directed by Quentin Tarantino.
This week, we watch Matt Damon and Ben Affleck become stars. They act the hell out of the script they co-wrote together, and Mini Driver and Robin Williams each give one of their best performances as well. The Boston movie that put Southie on the map. Good Will Hunting (1997), directed by Gus Van Sant.
This week, we watch what many consider to be the best comedy of all time. Two men witness a mob hit, and to survive being rubbed out themselves, they have to dress up like woman, join an all female band, and accompany them on their trip to Florida. Silliness ensues. Some Like It Hot (1959), directed by Billy Wilder.
This week, we watch one of the best films in Pixar’s catalog. Dogs talk, a house floats from balloons, and giant birds avoid extinction. Also, this movie contains one of the most heart-wrenching intro’s we’ve ever seen. Up (2009), directed by Pete Doctor.
This week, we watch Clint Eastwood’s last Western, and the one that landed him the Oscar for Best Picture. Clint does his usual (and great) scowl and gravel-y whispering, but instead of the violence playing out like in an action movie, it is given a weight that almost flips all his previous genre movies on end. Gene Hackman steals the show, eating up the scenery as Little Bill. Unforgiven (1992), directed by Clint Eastwood.
This week, we watch the classic Noir that takes place in a post World War II Vienna. A man was hit by a car and killed under mysterious circumstances, and his friend won’t stop doing his own detective work until he finds out what really happened. Filmed on location in 1948, the bombed out buildings against cobble stone and cavernous sewer tunnels make for an outstanding setting for this classic story. The Third Man (1949), directed by Carol Reed.
Bonus Episode Time! To welcome the film onto Netflix (starting June 26th) and to attempt to give it all the praise it deserves, we watch Spiderman: Into the Spider-Verse. This movie blows away all recent animated and superhero films alike. It drips originality and brims with jokes, action, and lovable characters. The creators and animators swing for the fences and succeed throughout. Directed by Bob Persichetti, Peter Ramsey, and Rodney Rothman.
This week, we watch the first Iranian film to be nominated for Best Foreign Picture at the Academy Awards. The quietest children’s movie we’ve ever seen, it’s focus on the simply story of a lost pair of shoes turns out to be a full of lessons on family, poverty, and sacrifice, even in the smallest of things. Children of Heaven (1997), directed by Majid Majidi.
This week, we watch true story of Jake La Motta, one of the toughest boxers to ever step into the ring. With only 9 minutes of boxing in the 2-hour-plus runtime, this film focuses on the rage and jealousy that Jake experienced with his second wife as well as his brother. Robert De Niro’s most raw and physically demanding performance. Raging Bull (1980), directed by Martin Scorsese.
This week, we watch the controversial film that depicts the last ten days in Hitler’s bunker. Pulling stories from multiple sources and combining them to paint a full picture of what life was like for those involved, hiding underground, knowing that the end is coming. Downfall (2004), directed by Oliver Hirschbiegel.
This week, we watch the only action movie that features a scene of a man running across glass in bare feet and also plays repeatedly on Christmas. Jumpstarting a blockbusting film series as well as Bruce Willis’ career, this film balances comedy with graphic, violent action in a way that still holds up strongly today, even if the hairstyles don’t. Die Hard (1988), directed by John McTiernan.
This week, we watch a film that creates a world inside our minds. Pixar is known for their great ideas, but in this film, they have outdone themselves. Who needs to find a fish when you have an entire world inside your head? Inside Out (2015), directed by Pete Docter.
