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All tagged crime film
This week, we watch the ground breaking debut feature from Christopher Nolan, who would go on to become one of the biggest directors of a generation. Moving both forwards and backwards in time, this film plays as a noir with a heaping dose of storytelling through editing. Memento (2000), directed by Christopher Nolan.
This week, we watch the legendary Italian film makers final film. Clocking in at nearly 4 hours long (originally meant to be 6 hours), this film contains some of the most graphic content we’ve seen so far on the list. While we would find it hard to recommend to most people, its impossible to not be impressed by the cinematography, sets, and epic period piece details. Once Upon A Time In America (1984), directed by Sergio Leone.
This week, we watch one of the oldest movies on the list. This movie stands out from the early ‘talkies’ for its incredible dark subject matter and very naturalistic acting. Peter Lorre does something here that none of us have seen before, and its amazing that he did it nearly 100 years ago. M (1931), directed by Fritz Lang.
This week, we watch Travis Bickle spiral into insanity. Containing one of Robert De Niro’s most casually quoted characters, this film is actually an extremely grim portrait of New York and its inhabitants. And if you’re a fan of Martin Scorsese’s work, this is the film that put him on the map. Taxi Driver (1976), directed by Martin Scorsese.
This week, we watch the Lock, Stock……and Two Smoking Barrels: Part 2. This time with Brad Pitt. It’s probably a good time to make sure your subtitles button works. Snatch (2000), directed by Guy Richie.
This week, we watch the controversial Netflix best picture hopeful that reunites De Niro and Scorsese, De Niro and Pacino, De Niro and Pesci, De Niro and Keitel… you might want to call it a 3.5 hour reunion tour from Scorsese, but the emotional retrospective weight of the characters makes this one of the most impactful of all his films. The Irishman (2019), directed by Martin Scorsese.
This week, we watch the classic Noir that made Humphrey Bogart a star, as well as lay the groundwork for what Crime Drama would be for decades afterwards. Fast talking, cigarette smoking, guns, lies, cheating, murder - all for the rarest of statues. And Bogart gets punched in the neck. The Maltese Falcon (1941), directed by John Huston.
This week, we watch the character study disguised as a crime thriller, where Orson Wells flexes his impressive acting chops in a movie he also writes and directs. Drugs, murder, sex, and lots of lying fill this classic noir film, which takes place in a Mexican boarder town, and has two police officers (Charlton Heston and Wells) clashing in an investigation. Touch of Evil (1958), Directed by Orson Wells.
This week, we watch the the movie that captured a slot in Quentin Tarantino's list of the 20 best films since 1992 - a murder mystery that combines horror and comedy in a way that that leaves you not only guessing at who the killer is, but what tone the movie will take with the next scene. Also, the best jump-kicks in movie history. Memories of Murder (2003), directed by Bong Joon Ho.
This week, we watch the classic thriller that inspired Alfred Hitchcock's Psycho and Vertigo. The wife and the mistress of a boarding school headmaster plot to kill him. This movie contains all sorts of 1955 murder, drowning, poison, zombies, ghosts, and creepy private investigators. Diabolique (1955), directed by H. G. Clouzot.
This week, we watch a cat and mouse crime thriller based in Hong Kong, where two moles, working for opposite sides of a cop vs gang rivalry, race to find out the identity of the other (which Martin Scorsese later remade into a best picture winner, The Departed) - Infernal Affairs (2002). Directed by Andrew Lau and Alan Mak.
This week, we watch the high-tension thriller about child abduction, and a father, played by Hugh Jackman, that will do whatever it takes to save them - Prisoners. Directed by Denis Villeneuve.
This week, we watch the bank robbery movie that was based on the true story of John Wojtowicz, who set out to rob a bank to pay for his transgendered wife's sex change operation- Dog Day Afternoon (1975). Directed by Sidney Lumet.
This week, we watch Part II of the action filled Indian gang epic, Gangs of Wasseypur (2012), directed by Anurag Kashyap.
