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This week, we watch a dumpster fire of a film that Netflix managed to buy its way to a nearly record setting number of Oscar nominations. This film is not just poorly made in every respect, it also exploits every topic it decides to shove into its fractured story. This is the opposite of the film we need these days. Emilia Perez (2024), directed Jacques Audiard.
This week, we watch one of the films nominated Best International Films Academy Award. This film is best if you watch without knowing anything about it at all, so we’ll just say this - Watch it, but only if you can tolerate every genre of movie that exists. If you don’t tolerate some genres, then you may have a bad time. The Girl with the Needle (2024), directed Magnus von Horn.
This week, we watch the film that won the the Palm D’or at this years Cannes Film Festival and is also up for 6 Oscars. This film split our opinions, but we could all agree that Mikey Madison is understandably a favorite for the Best Actress award. Anora (2024), directed Sean Baker
This week, we dive into Oscar season! The Oscar nominations are out, and we first dive into a film that received 8 nominations. This beautiful film is certainly a strong contender for production design. Conclave (2024), directed Edward Berger.
This week, we watch the gothic horror / fantasy that was for some reason correctly released on Christmas day. Eggers fourth film is also currently his highest grossing (and climbing), and it might be due to the fact that it is his most beautiful and straightforward. Nosferatu (2024), directed Robert Eggers.
This week, we jump back a bit to a movie we skipped initially to make sure it was discussed at an appropriate time of year. And since its 2025 (happy new year!), lets kick it off by watching Jimmy Stewart and Donna Reed fall in love in Bedford Falls. It’s a Wonderful Life (1946), directed by Frank Capra.
This week, we break into the top 10 best movies of all time. A three hour long western that oozes style, has the best dirty face closeups you will ever see, has some of the worst ADR in film, and also maybe the best score of all time. The Good, The Bad and The Ugly (1966), directed by Sergio Leone.
This week, we are Jack’s mixed film opinions. Being David Fincher’s highest rated movie, we expected maybe too much for our first rewatches in twenty years, but there is still a lot to admire about this very unique film. Fight Club (1999), directed by David Fincher, starring Brad Pitt’s abs..
This week, we may be in November, but thats not stopping hollywood from giving us a late to the party horror movie with everyones favorite romantic comedy actor, Huge Grant. This extremely effective bottle episode of a movie has a trio of great performances, and the horror aspects are slowly and expertly introduced to make it one of the most tense experiences of the year. Heretic (2024), directed by Scott Beck and Bryan Woods.
This week, we watch the movie that famously and with controversy beat out Pulp Fiction and The Shawshank Redemption for best picture at the 1995 Oscars. This film also landed Tom Hanks a second best actor Oscar a year after his first, an achievement that only 4 other people have ever accomplished. Forrest Gump (1994), directed by Robert Zemeckis.
Happy Halloween! This week, we watch the low budget miracle of a horror film thats concept started one of the longest running film franchises in history. With just $57,000 budgeted for effects, this film showcases scene after scene of ingenuity, and images from the film stand among the best the genre has to offer. A Nightmare on Elm Street (1984), directed by Wes Craven.
Our halloween season movie selection moves into the 1990s with the 3rd entry in the Evil Dead series: Army Of Darkness. Leaning more on comedy and action than the previous two entries, it's still fun to see all the different ways Sam Raimi tries to get Bruce Campbell injured -- well, maybe that final action sequence goes on a bit too long. Army Of Darkness (1990) by Sam Raimi.
This week, we kick off the halloween season by watching the cult classic that nearly got buried during its initial release. Midsommar takes obvious influences from this movie, which plays more like a mystery / detective drama, although there is at least one moment that will make your stomach drop. The Wicker Man (1973), directed by Robin Hardy.
This week, we watch a huge cast of A-listers dive into peoples dreams. For business purposes. And you can jump between peoples minds. But limbo is always in Leo’s head. Don’t ask questions, just watch the cool action. Inception (2010), directed by Christopher Nolan.
This week, we experience the most intense ride of the year. Nothing will prepare you for what this movie shoves in your face. Demi Moore, Margaret Qualley and Dennis Quaid all deserve award season consideration for their insane and brilliant performances. The Substance (2024), directed by Coralie Fargeat.
This week, we watch one of the three films to ever win the five top oscars in a given year (Picture, Director, Best Actor, Best Actress, Best Screenplay). The craft in this film is undeniable, but the impact of the film through its popularity is potentially not as great. One Flew Over the Cuckoo’s Nest (1975), directed by the Milos Forman.
This week, we’re reposting an episode from a while back due to its continued relevance and prophetic messages. Network (1976), directed by Sidney Lumet.
This week, we watch the 7th film in the Alien franchise (not counting the AvP series) that aims to take it back to the feeling of the original by putting a horror movie director at the helm and by allowing the production to have mostly practical effects. The result is the scariest Alien film since the original. Alien: Romulus (2024), directed by Fede Alvarez.
