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All in Adventure
Part 2
This week, we watch love in space. This time hopping journey through the great unknown is filled with hard sci-fi science and amazing special effects. It is also filled with expository dialogue and some less than stellar ideas about how love travels through space and time. Interstellar (2014), directed by Christopher Nolan.
This week, we watch love in space. This time hopping journey through the great unknown is filled with hard sci-fi science and amazing special effects. It is also filled with expository dialogue and some less than stellar ideas about how love travels through space and time. Interstellar (2014), directed by Christopher Nolan.
This week, we watch Harrison Ford’s second outing as the rugged archeologist with the hat and the whip. This film was highest grossing movie of the year it came out, broke opening weekend records, and was the catalyst for the PG-13 rating (alongside Gremlins). We discuss how it compares to the other films in the franchise. Indiana Jones and the Temple of Doom (1984), directed by Steven Spielberg.
This week, we watch Harrison Ford put on a hat and whip some bad guys. The film that introduces the Indiana Jones character remains the series best, even as it is now 5 movies strong. The supporting cast (Karen Allen, John Rhys-Davies, Paul Freeman) all nearly match Ford’s iconic roll, and the practical action set-pieces remain some of the best the genre has ever seen. Raiders of the Lost Ark (1981), directed by Steven Spielberg.
This week, we watch Harrison Ford put on a hat and whip some bad guys. The film that introduces the Indiana Jones character remains the series best, even as it is now 5 movies strong. The supporting cast (Karen Allen, John Rhys-Davies, Paul Freeman) all nearly match Ford’s iconic roll, and the practical action set-pieces remain some of the best the genre has ever seen. Raiders of the Lost Ark (1981), directed by Steven Spielberg.
Bonus Episode Time! To welcome the film onto Netflix and to attempt to give it all the praise it deserves, we watch Spiderman: Into the Spider-Verse. This movie blows away all recent animated and superhero films alike. It drips originality and brims with jokes, action, and lovable characters. The creators and animators swing for the fences and succeed throughout. Directed by Bob Persichetti, Peter Ramsey, and Rodney Rothman.
This week, we watch the sci-fi / horror / action masterpiece by the director that would go on to have three of the top five grossing movies of all time. The action in this movie remains top tier, the performances are stellar, and even the CG holds up pretty well. Terminator 2: Judgment Day (1991), directed by James Cameron.
This week, we watch a modern animated classic. Somehow Wes Anderson was able to take his unique artistic vision to a fully stop-motion animated world, and produce what some of his fans (*points at self*) think of as his masterpiece. Fantastic Mr. Fox (2009), directed by Wes Anderson.
This week, we watch a film that isn’t just about Vietnam - it IS Vietnam, man! Despite nearly killing its main actor and a few crew members, a typhoon destroying sets, and an ever increasing budget, Francis Ford Coppola and crew delivered one of the most indulgent films ever made. Apocalypse Now (1979), directed by Francis Ford Coppola.
This week, we watch a film that isn’t just about Vietnam - it IS Vietnam, man! Despite nearly killing its main actor and a few crew members, a typhoon destroying sets, and an ever increasing budget, Francis Ford Coppola and crew delivered one of the most indulgent films ever made. Apocalypse Now (1979), directed by Francis Ford Coppola.
This week, we watch A24’s highest grossing movie yet. This film sets out to be all things film at the same time, and does so with such creativity that it ends up amazingly overwhelming. Everything Everywhere All At Once (2022), directed by Daniels.
This week, we watch the third movie from the acclaimed director of The Witch and The Lighthouse. This movie aims to be the defining film about Vikings, drawing from every piece of known history of the time, and expanding on it with approval of expert historians. While uneven, this film has many moments of beauty and craft. The Northman (2022), directed by Robert Eggers.
This week, we watch the sequel to the film that shot Ridley Scott into stardom. This film takes the horror and science fiction elements of the first movie and adds a James Cameron action element that somehow makes for an even more intense experience. Aliens (1986), directed by James Cameron.
Here is the film that will be remembered as the kickstart to the industry after a once in a century pandemic. This is the Star Wars for the current generation, the long awaited adaptation meeting its full potential. See it in theaters. If you can’t, find the biggest screen you can and absorb it on the best sound system possible. Dune (2021), directed by Denis Villeneuve.
This week, we watch what could possibly be both Tarantino’s funniest and scariest film. The actors shine in this three hour long revenge epic, where even the horses deserve special mentions. Django Unchained (2012), directed by Quentin Tarantino.
This week, we watch an adaptation of the famous 600-year-old poem about a magical knight and a test of honesty. This film strays a lot from the original text, but the scenery (filmed in Ireland) is beautiful, and the strangeness is alluring. The Green Knight (2021), directed by David Lowery.
This week, we watch the highest rated Pixar film on the list! Even John, who has frequently mentioned a “dragging middle third” in Pixars story structure, didn’t see that happening here. Lovable robots, funny slapstick, and heartwarming relationships fill this visual and design masterpiece. WALL-E (2008), directed by Andrew Stanton.
