This week, we watch a painting of a movie. This movie portrays a realistic love affair at a house in 1770, and its paced as such - slow and powerful. Portrait of a Lady on Fire (2019), directed by Celine Sciamma.
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All in Film
This week, we continue talking about Braveheart, and dive into the commentary track with Mel Gibson himself. Is it worth listening to? Only if you’d like to imagine what Mel looks like while he quietly watches himself in a kilt. Braveheart (1995), directed by Mel Gibson.
This week, we watch Mel Gibson’s first foray into period-piece gore. He wins best picture / director as he massacres history alongside fictional Scotsmen. Is the story true? Who cares! Lets watch some horses eat ****!! Braveheart (1995), directed by Mel Gibson.
This week, we watch the murder mystery that took the writer/director/cinematographer team from Star Wars: The Last Jedi, added in a fantastic cast, and became for the most fun film of 2019. If you live and breath, you will enjoy this one. Knives Out (2019), directed by Rian Johnson.
This week, we watch the movie that embodies addiction. Aronofsky has created a portrayal of destructive behaviors that is unmatched in the film world, and it is absolutely painful to watch. Requiem For A Dream (2000), directed by Darren Aronofsky.
This week, we watch the smash Broadway hit which is now available on Disney+. Winner of multiple Tony awards and star maker of the writer/main actor Lin-Manuel Miranda, this film version of the play captures the original cast back in 2016, and for the first time ever you can watch it from your couch. Hamilton, directed by Thomas Kail.
This week, we continue discussing the controversial masterpiece by Stanley Kubrick. This film has been banned in many places since its release, and wasn’t able to be purchased in England until the year of Kubrick’s death. To this day, it hasn’t lost an ounce of its impact. Lock the living room door so the kids don’t accidentally wander in. A Clockwork Orange (1971), directed by Stanley Kubrick.
This week, watch the controversial masterpiece by Stanley Kubrick. This film has been banned in many places since its release, and wasn’t able to be purchased in England until the year of Kubrick’s death. To this day, it hasn’t lost an ounce of its impact. Lock the living room door so the kids don’t accidentally wander in. A Clockwork Orange (1971), directed by Stanley Kubrick.
This week, we watch an under-appreciated film from last year that is, as of today, streaming on Netflix. This movie isn’t on the top 250…but hey, we’re all stuck inside (the responsible ones, anyways - looking at you idiots packing in public pools), and is perfect if you’re looking for fictional stress to overtake your real life stress. Adam Sandler arguably gives his best performance to date, and Kevin Garnett and The Weeknd are written in as themselves in very cool cameos, if you can call it that. Uncut Gems (2019), directed by the Safdie Brothers (Benny and Josh).
This week, we start a new format - every other week, we’ll be watching a more recent addition to the top 250 movies of all time list, and we’ll try to make them as easily stream-able for everyone as possible (stuck inside, together!). This week’s movie is currently 185 on the top 250 list, and is streaming on Netflix. If you’re looking for something fun to watch in this new world we live in, strongly consider this comedy/mystery film from India. Andhadhun (2018), directed Sriram Raghavan.
This week, we watch the classic noir that has a “bad guy” as the protagonist for the first time in Hollywood film history. A man finds himself in the positions of both the investigator and the person being investigated in an insurance fraud scheme. Even though the film tells you who is the murderer is within the first five minutes, it manages to keep you guessing until the end. Double Indemnity (1944), directed by Billy Wilder.
This week, we watch the historical epic that not only paved the way for all blockbuster films to come after it, but also one that stands the test of time while being a work of art that will never see an equal. The list of films influenced by this masterpiece is massive, and includes every single Steven Spielberg movie, as seeing this in the theater as a child was the reason he became a director. Lawrence of Arabia (1962), directed by David Lean.
This week, we watch the sprawling tale of what it was like to be a kid in the rural South in the 30s. This film has some of the best acting in an older film we’ve seen, and the film remains an amazingly moral tale about what it takes to stand up for a cause and defend all human rights equally. To Kill a Mockingbird (1962), directed by Robert Mulligan.
This week, we watch a film that combines romantic drama and science fiction in a very unique way. Jim Carrey and Kate Winslet each give their career best performances, bringing dramatic weight into a story that could be classified as fantasy, and making the relationship between Joel and Clementine relatable and heartbreaking. Eternal Sunshine of the Spotless Mind (2004), directed by Michel Gondry.
This week, we watch the fictional story about the real musical genius, Wolfgang Amadeus Mozart. This film is remembered for its performances and its period piece elements, with real locations throughout the majority of the movie, and ridiculous costumes at every turn. If you can get past his laugh, this one is a classic. Amadeus (1984), directed by Milos Forman.
This week, we watch Stanley Kubrick’s take on the Vietnam War. Instead of being a rehash of the ideas explored in the many other war films made by the time of its release, Kubrick focuses on the human aspect of turning men violent. The result is an extremely tense and unpleasant viewing experience that many veterans claim is the closest a film has come to realistically portraying what being sent to war is like. Full Metal Jacket (1987), directed by Stanley Kubrick.