This week, we are revisiting the second Deadpool movie episode back from 2018. Leading into the new Deadpool and Wolverine movie, we look back to see how the second one compared. Deadpool 2 (2018), directed by David Leitch.
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All in Movie
This week, to recognize the massive amounts of money Deadpool & Wolverine made this past weekend (and because TC is away at the Olympics), we are reposting our Deadpool episode recorded back in 2018. Deadpool (2016), directed by Tim Miller.
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This week, we watch the new horror film that is taking critics by storm and audiences by mild breeze. The marketing for this film promised a terrifying new classic in horror, but what we end up with is a decently creepy arthouse offering with some very silly Nic Cage moments. Longlegs (2024), directed by Oz Perkins.
This week, we oldest/highest movie on the list. Celebrating its 70th anniversary this year, this film is a rare example of age, language, or length of a film not inhibiting its ability to feel modern, fast paced, funny, dramatic, action packed…it has it all. It is easy to see how all films have taken influence from this absolute classic. Seven Samurai (1954), directed by Akira Kurosawa.
This week, we watch a masterpiece of style. This slow-burn thriller bleeds cool from all sides, as each actor delivers a perfect performance and the soundtrack blares synths over LA at night. Drive (2011), directed by Nicholas Winding Refn.
This week, we watch a brutally realistic film that depicts the actual events of a person growing up in a favala in Rio. Violence, drugs, and crime dominate life in the poorest parts of the city, and the movie energetically and relentlessly re-tells the story. City of God (2002), directed by Fernando Meirelles and Katia Lund.
This week, we watch the fifth Mad Max film. George Miller is nearly 80 years old, and has been developing this post-apocalyptic world for 45 years at this point. This film shifts focus from Max to Furiosa, and while the director is in his twilight years, he is not lacking imagination or energy. Furiosa: A Mad Max Saga (2024), directed by George Miller.
This week, we revisit an episode that seems more relevant today than back when we released it in 2019. This film about the Watergate investigations has aged finer still over the past 5 years.. All The President’s Men (1976), directed by Alan Pakula.
This week, we revisit the episode that was not only the first Bonus Episode, but also contains the birth of Timmy. The Rock (1991), directed by Michael Bay. We will be back with new episodes next week!
This week, in preparation for Furiosa, we are reposting the Mad Max episode we did back in 2018. We make some eerily accurate predictions to Furiosa’s title and release timeline in the episode, so check it out! Mad Max: Fury Road (2015), directed by George Miller.
This week, we watch the highest rated horror movie on the IMDB top 250. Hannibal Lecter and Buffalo Bill share the screen as two of the best villains in movie history, while Jodie Foster as Clarice Starling plays the role of a lifetime as a determined FBI agent with a storied past. The Silence of the Lambs (1991), directed by Jonathan Demme.
This week, we watch a new low budget horror movie that is taking critics by storm. Utilizing a minimal cast and a single set, this film showcases a halloween late night TV special that takes a turn that can be predicted from the movie title. Late Night with the Devil (2023), directed by Cameron and Colin Cairnes.
This week, we watch a film that has what might be considered the best plot twist in movie history. Kevin Spacey leads an ensemble cast where everyone seems to be trying to chew up the scenery harder than the others. The Usual Suspects (1995), directed by Brian Singer.
This week, we watch a movie that takes a uniquely positive spin on the atrocities of the holocaust. Aiming to and arguably achieving the goal of telling a story of unfazed positive outlook on life, this film is somewhat divisive in its decision to potentially lighten the historical events. Life is Beautiful (1996), directed by Roberto Benigni.
This week, we watch Natalie Portman’s first film, where she plays the daughter of a slaughtered family who is taken in by a professional hitman who lives next door. This film elevates its B-movie potential with iconic performances by all of the leads. Leon: The Professional (1994), directed by Luc Besson.
This week, we watch a slow burn historical drama, that could also be classified as an art-house horror movie. Based on much researched real events and people, this film is broken into two - the one you see, and the one you hear. The results are astounding and hard to watch. The Zone Of Interest (2023), directed by Jonathan Glazer.