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This week, watch the controversial masterpiece by Stanley Kubrick. This film has been banned in many places since its release, and wasn’t able to be purchased in England until the year of Kubrick’s death. To this day, it hasn’t lost an ounce of its impact. Lock the living room door so the kids don’t accidentally wander in. A Clockwork Orange (1971), directed by Stanley Kubrick.
This week, we watch the 2014 smash hit (in India/China) that broke all the records for Indian Cinema at the time. Aamir Khan is as comedic as he’s ever been in this hilarious tale of an alien getting stuck on earth. Even if in the last 30 minutes the film becomes a little too preachy for our tastes, this film is totally worth a watch if you’re looking for a good 2 hours of laughs, and can be found on Netflix. PK (2014), directed by Rajkumar Hirani.
This week, we watch Travis Bickle spiral into insanity. Containing one of Robert De Niro’s most casually quoted characters, this film is actually an extremely grim portrait of New York and its inhabitants. And if you’re a fan of Martin Scorsese’s work, this is the film that put him on the map. Taxi Driver (1976), directed by Martin Scorsese.
This week, we watch an under-appreciated film from last year that is, as of today, streaming on Netflix. This movie isn’t on the top 250…but hey, we’re all stuck inside (the responsible ones, anyways - looking at you idiots packing in public pools), and is perfect if you’re looking for fictional stress to overtake your real life stress. Adam Sandler arguably gives his best performance to date, and Kevin Garnett and The Weeknd are written in as themselves in very cool cameos, if you can call it that. Uncut Gems (2019), directed by the Safdie Brothers (Benny and Josh).
This week, we start a new format - every other week, we’ll be watching a more recent addition to the top 250 movies of all time list, and we’ll try to make them as easily stream-able for everyone as possible (stuck inside, together!). This week’s movie is currently 185 on the top 250 list, and is streaming on Netflix. If you’re looking for something fun to watch in this new world we live in, strongly consider this comedy/mystery film from India. Andhadhun (2018), directed Sriram Raghavan.
This week, we watch the classic noir that has a “bad guy” as the protagonist for the first time in Hollywood film history. A man finds himself in the positions of both the investigator and the person being investigated in an insurance fraud scheme. Even though the film tells you who is the murderer is within the first five minutes, it manages to keep you guessing until the end. Double Indemnity (1944), directed by Billy Wilder.
This week, we watch the historical epic that not only paved the way for all blockbuster films to come after it, but also one that stands the test of time while being a work of art that will never see an equal. The list of films influenced by this masterpiece is massive, and includes every single Steven Spielberg movie, as seeing this in the theater as a child was the reason he became a director. Lawrence of Arabia (1962), directed by David Lean.
This week, we watch the sprawling tale of what it was like to be a kid in the rural South in the 30s. This film has some of the best acting in an older film we’ve seen, and the film remains an amazingly moral tale about what it takes to stand up for a cause and defend all human rights equally. To Kill a Mockingbird (1962), directed by Robert Mulligan.
This week, we watch a film that combines romantic drama and science fiction in a very unique way. Jim Carrey and Kate Winslet each give their career best performances, bringing dramatic weight into a story that could be classified as fantasy, and making the relationship between Joel and Clementine relatable and heartbreaking. Eternal Sunshine of the Spotless Mind (2004), directed by Michel Gondry.
This week, we watch the fictional story about the real musical genius, Wolfgang Amadeus Mozart. This film is remembered for its performances and its period piece elements, with real locations throughout the majority of the movie, and ridiculous costumes at every turn. If you can get past his laugh, this one is a classic. Amadeus (1984), directed by Milos Forman.
This week, we watch Stanley Kubrick’s take on the Vietnam War. Instead of being a rehash of the ideas explored in the many other war films made by the time of its release, Kubrick focuses on the human aspect of turning men violent. The result is an extremely tense and unpleasant viewing experience that many veterans claim is the closest a film has come to realistically portraying what being sent to war is like. Full Metal Jacket (1987), directed by Stanley Kubrick.
This week, we watch the best picture winning film about two Con-Artists going in together to pull off a huge grift. Those two men happen to be Paul Newman and Robert Redford. The Duo’s on-screen charisma shines yet again, and while it might not be setting out to do anything but entertain, it does so in spades, and amounts to a ride worth taking. The Sting (1973), directed by George Roy Hill.
We published our first episode of our filmcast on 10/20/2016. From the start, we froze the IMDB list in time so that we wouldn't have to work from a moving target. But what as changed on the list since then? In this special episode, we review what movies have dropped out (there's some shockers!), what movies have jumped in, and what movies have moved about the most in the list since we started.
This week we continue our discussion of Stanley Kubrick’s 2001: A Space Odyssey and focus on facts and trivia about the film. 2001: A Space Odyssey (1968), directed by Stanley Kubrick.
This week, we watch the most polarizing science fiction film of all time. Famous for it’s slow pacing, heady ideas, and mind-bending visuals, this film has not aged since it’s release over 50 years ago. It inspired all visually based movies after it, from Star Wars to Interstellar, and other art forms as well (David Bowie owes his career to a viewing of this film). 2001: A Space Odyssey (1968), directed by Stanley Kubrick.
This week, we watch the Italian Neorealism film classic that is named by many to be the single greatest film ever made. We don’t get it. Bicycle Thieves (1948), directed by Vittorio De Sica.
This week, we watch the classic musical about the movie industry’s shift to ‘talkies’. While there are stories of Gene Kelly being hard to deal with on set, there’s no question that he brings the best out of the whole cast. And despite the films age, its still hilarious. Singin’ in the Rain (1952), directed by Gene Kelly and Stanley Donen.
