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All tagged science fiction
This week, we watch the 7th film in the Alien franchise (not counting the AvP series) that aims to take it back to the feeling of the original by putting a horror movie director at the helm and by allowing the production to have mostly practical effects. The result is the scariest Alien film since the original. Alien: Romulus (2024), directed by Fede Alvarez.
This week, we watch the film that has just released and is currently sitting at the #10 best movie of all time. See it on the biggest screen and loudest speakers you can find. Dune: Part 2 (2024), directed by Denis Villeneuve.
This week, we watch a film that is heaven for film geeks. Images pour off the screen like melting candy for the brain. The score is a soundtrack to a dizzying dream. The humor is at once bizarre and dark, yet accessible and upbeat. The actors utilize an amazing script to make something profound and hilarious. It is life affirming, blazingly satirical, completely absurd, and an absolute instant classic. Poor Things (2023), directed by Yorgos Lanthimos.
Part 2
This week, we watch love in space. This time hopping journey through the great unknown is filled with hard sci-fi science and amazing special effects. It is also filled with expository dialogue and some less than stellar ideas about how love travels through space and time. Interstellar (2014), directed by Christopher Nolan.
This week, we watch the sci-fi / horror / action masterpiece by the director that would go on to have three of the top five grossing movies of all time. The action in this movie remains top tier, the performances are stellar, and even the CG holds up pretty well. Terminator 2: Judgment Day (1991), directed by James Cameron.
This week, we watch the sci-fi / horror / action masterpiece by the director that would go on to have three of the top five grossing movies of all time. The action in this movie remains top tier, the performances are stellar, and even the CG holds up pretty well. Terminator 2: Judgment Day (1991), directed by James Cameron.
Happy Halloween everyone! Our October scary movie marathon concludes with prolific writer/director Jorden Peele’s third movie (he’s been cranking out a successful movie about every 2 years). There’s a lot to love in this film, though we’re of mixed opinions on the extent to which it comes together as whole. Nope (2022), directed and written by Jordan Peele.
This week, we watch the sequel to the film that shot Ridley Scott into stardom. This film takes the horror and science fiction elements of the first movie and adds a James Cameron action element that somehow makes for an even more intense experience. Aliens (1986), directed by James Cameron.
This week, we watch the sequel to the film that shot Ridley Scott into stardom. This film takes the horror and science fiction elements of the first movie and adds a James Cameron action element that somehow makes for an even more intense experience. Aliens (1986), directed by James Cameron.
This week, we watch the film that was sold as “Jaws in space”. What we get instead is a horror/sci-fi masterpiece that launched Ridley Scott’s career as a visionary. With effects that mostly hold up, this film will still make you squirm all these years later. Alien (1979), directed by Ridley Scott.
Here is the film that will be remembered as the kickstart to the industry after a once in a century pandemic. This is the Star Wars for the current generation, the long awaited adaptation meeting its full potential. See it in theaters. If you can’t, find the biggest screen you can and absorb it on the best sound system possible. Dune (2021), directed by Denis Villeneuve.
This week, we watch the highest rated Pixar film on the list! Even John, who has frequently mentioned a “dragging middle third” in Pixars story structure, didn’t see that happening here. Lovable robots, funny slapstick, and heartwarming relationships fill this visual and design masterpiece. WALL-E (2008), directed by Andrew Stanton.
This week, we watch a movie in anticipation for the upcoming Dune film adaptation. This movie has no buisness not being on the list. Amy Adams gives one of her best performances, and all other aspects of the film are amazing on their own, but together they create something very special that we’d recommend to everyone. Arrival (2016), directed by Denis Villenueve.
This week, we watch the third and final film in the Three Flavors Cornetto trilogy. In yet another genre film/comedy mash-up, this entry is much darker than the previous two, with the unliked protagonist Gary King dragging his old friends to 12 bars, and any more plot description might be considered spoilers. The Worlds End (2013), directed by Edgar Wright.
This week, we go on another tangent to watch Terry Gilliam’s underrated visual masterpiece. Not since Dr. Strangelove has a comedy been so dark. This movie may be a bit too out there to land a spot on the top 250, but if you’re a fan of bizarre fantasies, it may end up being a personal favorite. Brazil (1985), directed by Terry Gilliam.
This week, we watch what many consider to be the best Anime of all time. Masterfully animated and ultra-violent, this film remains unmatched in its detail, style and scope. The influence on other animated films as well as live action films of this genre cannot be understated. Akira (1988), directed by Katsuhiro Otomo.
PART 3
This week, we continue doing something we haven’t done before! Since Return of the Jedi is number 73 on the list, and TC hasn’t seen any of the original Star Wars trilogy, we are going through these movies in the order they are meant to be watched. This week we are on to Episode 6, Star Wars: Return of the Jedi, directed by Richard Marquand and written by George Lucas and Lawrence Kasdan.
PART 2
This week, we continue doing something we haven’t done before! Since Return of the Jedi is number 73 on the list, and TC hasn’t seen any of the original Star Wars trilogy, we are going through these movies in the order they are meant to be watched. This week we are on to Episode 6, Star Wars: Return of the Jedi, directed by Richard Marquand and written by George Lucas and Lawrence Kasdan.
