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All in Drama
This week, we watch Clint Eastwood’s last Western, and the one that landed him the Oscar for Best Picture. Clint does his usual (and great) scowl and gravel-y whispering, but instead of the violence playing out like in an action movie, it is given a weight that almost flips all his previous genre movies on end. Gene Hackman steals the show, eating up the scenery as Little Bill. Unforgiven (1992), directed by Clint Eastwood.
This week, we watch the classic Noir that takes place in a post World War II Vienna. A man was hit by a car and killed under mysterious circumstances, and his friend won’t stop doing his own detective work until he finds out what really happened. Filmed on location in 1948, the bombed out buildings against cobble stone and cavernous sewer tunnels make for an outstanding setting for this classic story. The Third Man (1949), directed by Carol Reed.
Bonus Episode Time! To welcome the film onto Netflix (starting June 26th) and to attempt to give it all the praise it deserves, we watch Spiderman: Into the Spider-Verse. This movie blows away all recent animated and superhero films alike. It drips originality and brims with jokes, action, and lovable characters. The creators and animators swing for the fences and succeed throughout. Directed by Bob Persichetti, Peter Ramsey, and Rodney Rothman.
This week, we watch the first Iranian film to be nominated for Best Foreign Picture at the Academy Awards. The quietest children’s movie we’ve ever seen, it’s focus on the simply story of a lost pair of shoes turns out to be a full of lessons on family, poverty, and sacrifice, even in the smallest of things. Children of Heaven (1997), directed by Majid Majidi.
This week, we watch true story of Jake La Motta, one of the toughest boxers to ever step into the ring. With only 9 minutes of boxing in the 2-hour-plus runtime, this film focuses on the rage and jealousy that Jake experienced with his second wife as well as his brother. Robert De Niro’s most raw and physically demanding performance. Raging Bull (1980), directed by Martin Scorsese.
This week, we watch the controversial film that depicts the last ten days in Hitler’s bunker. Pulling stories from multiple sources and combining them to paint a full picture of what life was like for those involved, hiding underground, knowing that the end is coming. Downfall (2004), directed by Oliver Hirschbiegel.
This week, we watch the only action movie that features a scene of a man running across glass in bare feet and also plays repeatedly on Christmas. Jumpstarting a blockbusting film series as well as Bruce Willis’ career, this film balances comedy with graphic, violent action in a way that still holds up strongly today, even if the hairstyles don’t. Die Hard (1988), directed by John McTiernan.
This week, we watch a film that creates a world inside our minds. Pixar is known for their great ideas, but in this film, they have outdone themselves. Who needs to find a fish when you have an entire world inside your head? Inside Out (2015), directed by Pete Docter.
This week, we watch the film that launched Jack Nicholson into stardom while creating perhaps the best film noir of all time, decades after the genre left the mainstream. With a chaotic shoot, and uncertainty about the quality of the film until its 11 Academy Award nominations, it remains fascinating to watch the mystery of the films story unravel with Mr. Gittes. Chinatown (1974), directed by Roman Polanski.
This week, we watch the film that is remember for its amazing and ground breaking bank-heist-turned-shootout in the streets of Los Angeles. Starring an angry Robert De Niro, Val Kilmer’s ponytail, and Nicholas Cage impersonating Al Pacino. Heat (1995), directed by Michael Mann.
This week, we watch the film that forced tears out of full theaters in 2015. Set mostly within a 15’x15’ room, the story smartly focuses on the relationship between mother and son, keeping the film from seeming too contained and unmoving. Also featuring the performance that landed Brie Larson the role of Captain Marvel. Room (2015), directed by Lenny Abrahamson.
This week, we watch the dark fantasy film where a young girl discovers another reality, helping her temporarily escape the horrible world she lives in. With amazing practical effects and makeup, this ultra-violent tale uses film to tell a story in a way no other medium could. Pan’s Labyrinth (2006), directed by Guillermo del Toro.
This week, we watch the American classic that portrays the life of a dockworker who works for the mob. This film changed Hollywood movies forever with Marlon Brando’s performance, which brought a type of realism into the mainstream that was previously only seen in a small number of European films. This story was also based on true to life violent criminal activity going on at the time. On The Waterfront (1954), Elia Kazan.
This week, we watch the film that gave Studio Ghibli their iconic character, who happens to be a giant bunny/bear/owl spirit (with human teeth). While this animated tale might advertise itself as high fantasy, it really spends most of its time with two young girls (sisters) who have to move to the countryside to be closer to their sick mother’s hospital, and the kindness they show each other during their difficult time. Also, there is a enormous 12-legged Catbus. My Neighbor Totoro (1988), directed by Hayao Miyazaki.
This week, we watch the tale of a man diagnosed with stomach cancer, which causes him to reflect on his seemingly wasted life. Taking its time to establish moods appropriate for the subject matter, this film makes you think about what it means to be alive, and how to get the most out of life with what short time we have. Ikiru (1952), directed by Akira Kurosawa.
This week, we watch the last epic made by the man who is widely regarded as one of the best directors of all time. With thousands of extras, hundreds of horses, full scale battles, and castles built on the side of Mount Fuji, Kurosawa takes his time and lets each shot linger, recreating the paintings he made that were used as storyboards. Ran (1985), directed by Akira Kurosawa.
This week, we watch Jimmy Stewart become a star, in one of the most perfectly aged films of all time. Everything is somehow still relevant 80 years later, from the humor to the characters, to the dead-on commentary on political corruption. This film, on a short list alongside 12 Angry Men, should be required viewing for everyone in the United States. Mr. Smith Goes to Washington (1939), directed by Frank Capra.
This week, we abandon the list to watch one of the best movies of last year, and a Best Picture Academy Award nominee. Combining the comedy of a buddy-cop film with the heavy drama of real historical and present day events revolving around racism in the United States, this film packs an enormous emotional punch, and successfully provokes conversations about the state of this country that we should all be having. BlacKkKlansman (2018), directed by Spike Lee.
