This week, we watch Sergio Leones final western film. This film's cinematography and set pieces are among the best we've seen, and its easy to see why so many directors have been influenced by its style. Once Upon a Time in the West (1968).
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All in Western
This week, we watch Sergio Leones final western film. This film's cinematography and set pieces are among the best we've seen, and its easy to see why so many directors have been influenced by its style. Once Upon a Time in the West (1968).
This week, we watch the film that won the Golden Globes for Best Drama, and is the front runner for the Best Picture at the Oscars as well. We recommend going into this movie totally blind, as spoilers might ruin the experience for many. The Power Of The Dog (2021), directed by Jane Campion.
This week, we watch Tarantino’s eighth film. Drawing heavily from The Thing, this film showcases the director at his most indulgent, with long scenes of dialogue and buckets of blood to rival his other works. Kurt Russell’s mustache stars in The Hateful Eight (2015), directed by Quentin Tarantino.
This week, we watch what could possibly be both Tarantino’s funniest and scariest film. The actors shine in this three hour long revenge epic, where even the horses deserve special mentions. Django Unchained (2012), directed by Quentin Tarantino.
This week, we watch the second installment in the Man-With-No-Name Trilogy (sandwiched between A Fist Full of Dollars and The Good, The Bad, and The Ugly). This film helped Clint Eastwood further catapult himself into stardom, launch a fully fledged international film industry in Italy, and push the boundary of allowable violence in film a few years ahead all across the world, as evidence by it being X rated even with multiple scenes cut and edited down. For a Few Dollars More (1965), directed by Sergio Leone.
This week, we watch Clint Eastwood’s last Western, and the one that landed him the Oscar for Best Picture. Clint does his usual (and great) scowl and gravel-y whispering, but instead of the violence playing out like in an action movie, it is given a weight that almost flips all his previous genre movies on end. Gene Hackman steals the show, eating up the scenery as Little Bill. Unforgiven (1992), directed by Clint Eastwood.
This week, we watch the block-busting film that paved the way for all buddy movies that came after it. Paul Newman and Robert Redford are a perfect team, as they rob and steal their way across the mid-west. Once a super-posse is assembled to take them down, they attempt an escape to South America. Comedy ensues. Butch Cassidy and the Sundance Kid (1969), directed by George Roy Hill.
This week, we watch the first Spaghetti Western ever made, which also launched Clint Eastwood into stardom, A Fistful of Dollars (1964). Directed by Sergio Leone.
This week, we watch the classic, time-accurate Western, High Noon (1952), directed by Fred Zinnemann.