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All in Classic
This week, we watch the modified story of actual trials that took place in Nuremberg, Germany, after the end of World War II. This film brings up the topic of where to place the guilt for war crimes, and how far down the blame should. Spencer Tracy comes up with some ideas. Judgement at Nuremberg (1961), directed by Stanley Kramer.
This week, we watch the film that was rated as the #1 best movie of all time by 358 of the biggest directors in the world (including Scorsese, Tarantino, Coppola, and many others). This film takes on the seemingly not so interesting topic of every day life, and uses its deliberate pacing (slow) to add weight to its topics in a way that we rarely see on the screen. Tokyo Story (1953), directed by Yasujiro Ozu.
This week, Jeff "The Dude" Lebowski's rug gets peed on. This aggression will not stand, man. This film has one of the most diehard fanbases out of any on this list, and we are proud to share in the obsession. The Big Lebowski (1998), directed by the Coen Brothers.
This week, we watch the best picture winning film that made a huge positive shift in the public opinion towards Vietnam Veterans in the US. This film takes something that didn't occur once in the written history of the Vietnam war (Russian roulette), center's itself around it, and makes a grand, metaphorical statement about the random violence of war. The Deer Hunter (1978), directed by Michael Cimino.
This week, we watch Alfred Hitchcock's first Hollywood film, one that would go on to win Best Picture. This dramatic mystery is full of twists, and showcases acting and cinematography that stands the test of time. Rebecca, directed by Alfred Hitchcock.
This week, we watch the classic Alfred Hitchcock adaptation of the stage play about organizing and attempting the murder of a cheating wife. Great acting and fun plot twists keep this film entertaining throughout, which is a feat, given that the film takes place almost entirely in just one room. And we hope you like dialogue. Dial M For Murder, directed by Alfred Hitchcock.
This week, we watch the longest film of all! The highest grossing movie of all time (adjusted for inflation) is ripe with questionable content, with the racism being the worst offender. This might always be considered a classic, but should it be? Gone With The Wind (1939), directed by Victor Fleming.
This week, we watch the film that is basically a love letter to Paul Newman. Ole' blue eyes is front and center for this classic film about a chain gang's daily life, and their antics of rubbing each other's bellies and eating piles of eggs. Cool Hand Luke (1967), directed by Stuart Rosenberg.
This week, we watch the hard to find Russian classic that has influenced movies such as Schindler's List, Saving Private Ryan, and Inglorious Bastards. Real artillery, bombs, animal deaths, and human emotions are put fourth on screen to create something horrifying and unlike anything else we've seen. Come and See (1985), directed by Elem Klimov.
This week, we watch the classic romantic comedy that walked away with the top 5 Oscars for 1934, one of only three films in history to do the same. The oldest movie we've watched so far on our mission, this film has aged beautifully, as the comedy remains laugh out loud funny for the entire runtime, and the acting between the two leads is very believable and fun to watch. It Happened One Night (1934), directed by Frank Capra.
This week, we watch the classic Monty Python comedy that has been banned in multiple countries and denounced by religious groups all over the world. The film itself doesn't do very much to insult religion, but it does a lot to get you rolling on the floor, as the comedy group showcases their trademark silliness in some of the funniest scenes ever put to film. Life of Brian (1979), directed by Terry Jones.
This week, we watch the American epic about Daniel Plainview, an oil man who wants no one else to succeed. We believe this masterpiece will be watched for decades, and we dive deep, making this the longest episode yet. Guest hosted by Matt Hathaway. There Will Be Blood (2007), directed by Paul Thomas Anderson.
This week, we watch a series of vignettes about a prostitute Rome-ing the streets. Considered by some to be Fellini's masterpiece, this film follows Cabiria's trials as she gets shoved into a river, shoved into a bathroom, and nearly shoved off a cliff. Nights of Cabiria (1957), directed by Federico Fellini.
Written and directed by a Vietnam veteran, this film chronicles the horrifying violence Oliver Stone witnessed during his time in the jungle. A script so anti-war, Hollywood refused to make it, and then awarded it with an Oscar for Best Picture (among others). Makes sense. Platoon (1986), directed by Oliver Stone.
This week, we watch the classic Noir that made Humphrey Bogart a star, as well as lay the groundwork for what Crime Drama would be for decades afterwards. Fast talking, cigarette smoking, guns, lies, cheating, murder - all for the rarest of statues. And Bogart gets punched in the neck. The Maltese Falcon (1941), directed by John Huston.
This week, we watch the classic action/thriller that inspired Road Warrior, Duel, Speed, and numerous other vehicle based action films. Four men, in desperate need of money, take on the life-threatening task of driving two trucks full of nitroglycerin across a dangerous mountain pass. The Wages of Fear (1953), directed by Henri-Georges Clouzot.
This week, we watch the amazingly prophetic film that, while being created over 40 years ago, depicts the current day network news situation almost exactly. This movie predicted reality television shows over a decade before they aired, and also satirized news stations selling credibility for ratings before that reality has come to pass. Network, directed by Sidney Lumet.
This week, we watch the block-busting film that paved the way for all buddy movies that came after it. Paul Newman and Robert Redford are a perfect team, as they rob and steal their way across the mid-west. Once a super-posse is assembled to take them down, they attempt an escape to South America. Comedy ensues. Butch Cassidy and the Sundance Kid (1969), directed by George Roy Hill.
