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All tagged thriller
This week, we watch the highest rated horror movie on the IMDB top 250. Hannibal Lecter and Buffalo Bill share the screen as two of the best villains in movie history, while Jodie Foster as Clarice Starling plays the role of a lifetime as a determined FBI agent with a storied past. The Silence of the Lambs (1991), directed by Jonathan Demme.
This week, we’re diving into a series of bonus episodes, where we go through movies that Denny, John and TC think deserve to be on the top 250. We kick it off with a thiller / character study that possibly contains Jake Gyllenhaal’s best work. Add in commentary about the media industry, sociopathy, race, the police, capitalism, LA nightlight, etc., and you’ve got something that could be considered a niche masterpiece. Nightcrawler (2014), directed by Dan Gilroy.
Part 2.
This week, we watch the highest rated Hitchcock film, and what is considered widely to be the film that modernized horror. Come for the shower stabbing, stay for the controversial use of a toilet, a woman in a bra, and the utterance of the word “transvestite”. Psycho (1960), directed by Alfred Hitchcock.
This week, we watch the highest rated Hitchcock film, and what is considered widely to be the film that modernized horror. Come for the shower stabbing, stay for the controversial use of a toilet, a woman in a bra, and the utterance of the word “transvestite”. Psycho (1960), directed by Alfred Hitchcock.
This week, we watch Jimmy Stewart sit in a chair and stare out his back window. This film holds up as a tight thriller, which blends mystery with comedy in a fantastic way. It doesn't feel like a film that is nearly celebrating its 70th birthday. Rear Window (1954), directed by Alfred Hitchcock.
This week, we watch a film version of a magic trick. With a star studded cast and a great performance by David Bowie as Nikola Tesla, the first viewing experience of this film will likely leave you with your mouth open. The Prestige (2006), directed by Christopher Nolan.
This week, we watch the sequel to the film that shot Ridley Scott into stardom. This film takes the horror and science fiction elements of the first movie and adds a James Cameron action element that somehow makes for an even more intense experience. Aliens (1986), directed by James Cameron.
This week, we watch the movie Guillermo del Toro decided to make after his Best Picture win with The Shape of Water. Based on a 1946 Novel (and made into a movie in 1947), this film has incredible star power - but is that enough to make another classic? Nightmare Alley (2021), directed by Guillermo del Toro.
This week, we watch the Palme d’Or winner at this years Cannes Film Festival. Nothing we say in a write up will prepare you for what you will see/experience in this movie. If you aren’t totally adverse to gore or weirdness, do yourself a favorite and watch this film. Titane (2021), directed by Julia Ducournau.
This week, we watch the film that won the Golden Globes for Best Drama, and is the front runner for the Best Picture at the Oscars as well. We recommend going into this movie totally blind, as spoilers might ruin the experience for many. The Power Of The Dog (2021), directed by Jane Campion.
This week, we watch a movie where a tooth getting removed by a hammer is not the most disturbing scene of the film. This film contains amazing acting and filmmaking, so it is highly recommended to those with a strong tolerance for disturbing images and ideas. Oldboy (2003), directed by Chan-wook Park.
This week, we watch yet another Hitchcock film, following closely ahead of Vertigo. This film is famous for influencing the James Bond films, especially the ridiculous action, casual sex, and iconic clothing. Sean Connery might owe everything to Cary Grant. North By Northwest (1959), directed by Alfred Hitchcock.
This week, we watch one of the scariest movies we've ever seen. This film depicts the real life tragedy of the 2008 Mumbai terrorist attacks, and does it almost too convincingly. A very well made movie that we'd be hard pressed to recommend due to how upsetting it is, but if you can tolerate violence (or you think you can), this one is worth a watch. Hotel Mumbai (2018), directed by Anthony Maras.
